< 紙層(지층) / Paper Stratum > series

The construction of these vases involved two distinct tech- niques, resulting in visually captivating outcomes. One method involved meticulously stacking and layering cut pieces of paper, while the other utilized paper pulp derived from the remnants of the cut paper. The combination of these tech- niques produced an exquisite interplay of colors and textures. Upon close inspection, one can witness the seamless merging of printed patterns into delicate lines, creating a mesmerizing visual effect. When viewed from a distance, the undulating surfaces of the vases add depth and intrigue to their overall appearance.

To ensure the longevity and preservation of the paper, a wa- terproof ottchil (lacquer) was meticulously applied. The paper was immersed in an ottchil solution, allowing for optimal penetration and the removal of any trapped air. In harmony with the brand identity of L’Occitane and Harper’s Bazaar, a gradient effect was employed, transitioning seamlessly from the arrangement of raw materials to the refined ottchil finish.

The vases’ designs include thoughtfully crafted curved sides, which introduce captivating shadows and add an additional layer of visual interest. This deliberate element further enhances the overall aesthetic appeal of the pieces.

The creation of these vases was both challenging and enjoy- able, as it involved the exploration of new materials and techniques. The project embraced the repurposing of industrial waste and surplus products, resulting in works of profound significance.

“Paper Stratum No. 1” and “Paper Stratum No. 2” stand as testaments to the transformative power of creativity, showcasing the beauty that can emerge from unconventional or discarded materials. They serve as inspiring examples of how art and sustainability can intertwine to create meaningful and visually striking pieces.